first time press of an early eighties lost aurra album. tip!

disco demolition did everything for us. it created the invisible wind and we never had enough of it. here is the second installment of rock sucks! the best lost disco & boogie label you can ever dream about.

skrufix is a berlin based outfit steadily strengthening their stature behind a series of revered parties and left-of-centre releases. never opting for the path of least dance-floor resistance, skrufix champion off-kilter strands of breakbeat driven rave, techno and house and have released music from turtlez, mighthor and things with wings

flying lotus fünftes album ist ein trip, das aehnlich wie das kernthema, der tod, von einer daseinsform zur naechsten springt, sich von einer klangdimension zur naechsten entwickelt. auf youre dead! verschmelzen klangwelten, visuelle welten, metaphysische welten, die virtuos miteinander verwoben einen vollkommen neuen stoff, ein transzendentes, bewusstseinserweiterndes plasma ergeben, das so nur in der Übergangszone oder zwischenwelt existieren kann. musikalisch orientierte sich flying lotus an den großen fusion-jazz-kollektiven der 1960er/1970er und an psychedelic-rock-lps. die anziehungskraft seiner klanglichen traumwelt ist in den letzten jahren so stark geworden, dass inzwischen auch schwergewichte aus anderen sphaeren wie kendrick lamar, snoop dogg oder jazzlegende herbie hancock davon angezogen werden. ein faszinierender, tief berührender trip.

neueheimat is joinig the cirque du minimaliste family on its sublabel manege with his debut release *quartier3*. neueheimat was founded near hamburg in 2012 by dennis grell. after working for many years as a commissioned producer and remixer for publishers and labels, dennis wished to start his own, new project and truly realise his creativity. conceptually, the aim is for the music to blend seamlessly with his photographs of urban architecture and to document the anonymity of life within city walls. influenced by artists such as anders trentemøller, jon hopkins, trent reznor and the earlier einstürzende neubauten, dennis began creating his own definition of electronic music. neueheimat and subsequently *quartier3 ep* are characterised by dennis clear style of production: a few lighter passages, but primarily creating a deep and murky impression. large spaces leave room for interpretation and present the listener with images that either they have never seen or have been missing for a long time. created on old analogue equipment, mixed on a 30-year-old tape recorder and mastered by mastering engineer stefan betke (tresor, cabaret voltaire, lucy, laibach), *quartier3* is a significant milestone in dennis production history.

chmmr is the dance music making moniker of even brenden hailing from, oh yes, all the norway. having released on luna flicks, relish this time is the right time for his debut on full pupp. the unmistakably sparkling chmmr sound stands for long hypnotic, tracks, simple in a way, but oh so grooveleaden, sick bassed continuously panned patterned with a string theme makes sure you never forget which song it was that stuck in your ear last. it was either lyd & bilde or ... np hard - oh yes. last not least thomas adds an own remix version with an epic mythical persion twist. persion version is a full. inshallah!

still sounding like something from the distant future (1988 to be exact), * we are phuture* continues to survive.
an all time acid house classic straight from chicago, phutures mission statement still packs a heavyweight punch today.
repressed, remastered and reissued in conjunction with trax records and with all original artwork retained, * we are phuture* is an essential addition to any record collection
often imitated, never bettered
*slam your body to the beat!*

black rox is back with 2 more sneaky soft rocks specials that have somehow been liberated from locked cd wallets and released into the wild for general consumption. the a side sabu dance combines horns, flutes & percussion on this killer slice of midtempo funk from africa via berlin. this has been thoroughly road tested by soft rocks at their kinfolk night & never fails to get a great response from the dancefloor. side b. don t worry it s not the tantric one s ode to voyeurism but a rare as hens teeth slice of uk. reggae at is s finest. adjustments have been made sensitively and sounds have been chosen to carefully match those from the appropriate era. a perfect track for blissful summer evenings (yeah whatever!).

since the labels inception, sistrum has kept an ear to the future while always keeping its roots firmly planted in the rich musical heritage of early house and techno � raw, real & unfathomably deep. in keeping with this ethos, sistrum proudly presents a true chicago original, mr. brian harden. three classic, late 90s cuts are brought together for a new generation of music lovers to enjoy, never before available as a 12inch release. simply, timeless.

sleeparchives influential minimalistic power in combination with the unique, endlessly evolving sound of mike parker, appear together for the first time on rptch04 split ep.
sleeparchive starts off on the a side, creating industrious textures with *fifth station* followed by two (endless) loops that lead to the a2 *white angel breadline*, a mesmerizing track with the classic sleeparchives timbre and brightness.
mike parker is responsible for one of the most recognizable sound of techno which is characterized by sublime, fluid atmospheres and never-ending hypnotic sequences. repitch recordings introduces him on the b-side with *flying nerves* and *lustrum*, leaving an indelible mark on the eleventh release of the italian berlin based label.

hailing from toronto is newcomer drala. with a background of trinidad and canada alike, this ep brings cool breezes to the scene while claiming a stake in this musical playground. already a staple in osunlades dj sets, datfreaky has already become a much desired floor banger. with demanding stabs, smooth and subtle deeply combine a signature sound yet to be compared. dralas theme takes us deeper into his world as syncopated bass lines dance with pulsating rhythms. spirits and smiles continues the movement with brigade like drums, airy chords & industrial tones while never losing ground. the gods made me funky take you on a heightened journey within yourself, transcending mind and soul with haunting vocals by spiritual sage astarius this has been a labor of love from seed to flower, we proudly present the latest addition to the yoruba family. welcome drala!

summer is in full effect, and even as we enjoy the warm breeze and the occasional boat party, we never quit hunting for fresh music. this time, with a perfect ep for those who enjoy their dose of soul and funky rhythms.

original (11:31) - a mind blowing never ending hypnotic track to burn-up yourself in the middle of vibrating sunrises. always-growing synth-melodies gradually transform into what reminds an earlier hardfloor dancefloor-killer...body resonances to shed light on your hands in the air!

the newest offering from the crescent, courtesy of gacha bakradze (crescent | apollo | 2nd drop).

die doppel-lp erscheint als limitierte 180g pressung mit 19 von 20 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inkl. bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, inkl. 30x30cm kunstdruck, im gatefold mit antistatischen innentaschen.

earlydub launch its vinyl only series.. 180 grams vinyl featuring tracks by fernando costantini, alexandar kyosev, loquace, sons of tiki, yamen & eda..
vinyl only

born in romania but now living as a political refugee in germany, borrowed identitys name says a lot about his life and his music. never content with one sound or musical genre, but focused always on making music with real heart and soul, his releases demonstrate a broad musical palette and wide ranging tastes. a long time fan of home taping, he delivers a stunning debut for the label criss-crossing the boundaries between various sub-genres of house music, while denying any of them total dominance. in doing so he announces that borrowed identity has found his spiritual home on the imprint and that there is hope for those who still believe...

sweden s influence on modern techno can never be overrated. over the past twenty years the ever growing band of dedicated artists emerging from the country have each played a huge part in the global growth and development of the sound.

yawn zen is la-based hip-hop producer ringgo anchetas debut album for stones throw. mndsgns psychedelic beats have already won him fans such as danny brown, who snapped him up to produce a track the lead track for his classic drug referencesrelease and bbc radio 1s benji b. dazed & confused described him as *one of the west coasts finest beat-smiths� each track is a patchwork of lush electronic samples blended together to create warm, sun-drenched little charmers.* on yawn zen, his debut for stones throw, mndsgn has carved himself an unusually calm-sounding place in the los angeles beat scene. the influence of labelmates madlib and j dilla on this on this collection of laid-back beats is never far off, but yawn zen has a psychedelic, jazzy flavour that equally recalls the likes of flying lotus, gonjasufi and samiyam. the vinyl lp includes a download code.

the first va release on project london records. we continue to support new artists this time a 4 track release from some of our european friends. ztrl (hungary), alsi (romania), anestie gomez (greece), rack & three angles (france). vinyl only, limited 300 copies, never repressed, hand stamped.

we dont really know if the young bryan kessler listened to kraftwerk, but then again we didnt ask - who cares, anyway? what�s certain, however, is that this punk renegade, songwriting wunderkind and all-around exceptional producer is a man of many faces, and all of them rock. discovered on stage while spouting anarchist pop slogans and showcasing an impressive underage mohawk haircut, he never was to be a bottled genius sticking to only one gun - and soon set out to become the lead singer and guitarist for neo punk nutters the pollywogs, while embarking on an equally public career as prolific dj and dance music producer

hot city orchestra is a reformation of a band, which was originally formed in 1998. at the age of 17, arno völker (einzelkind) and simon birkenfeld became friends and started making drum and bass music together. they toured all over germany with their record label and had residencies at robert johnson in offenbach and tanzhaus west in frankfurt. after gaining years of experience within the breakbeat scene, arno went on to become einzelkind with releases on playhouse, cocoon, white and his own imprints la peña, jax and pressure traxx as well as worldwide dj gigs. simon was still focusing on his breakbeat career for another year, making an album with a uk drum and bass legend, but it was never released. he stopped making music and started focusing on his career in pr and marketing, where he mostly worked on music and art projects. during this time, the long-time friends arno and simon came up with the idea to launch the blog-network-project www.disco-very. net now, 16 years later, after making first beats together, the boys are back! a tiny bit older, much wiser, more handsome and around 50 bpm slower.

myna music started almost over 14 years ago on vinyl and after a break from the vinyl its now going back to its roots and releasing vinyl again due to popular demand from da sunlounge & myna music fans.

phantasy are very proud to present a remix of daniel averys *all i need* by a hero of the techno scene, hero of the house scene, hero of the everything electronic scene: herr roman flügel with one of the labels biggest reworks to date. on the flip, chilean sonic soundsmith ricardo tobar takes *these nights never end* and delivers the kind of beautiful, intricate rework that made his recent album treillis such a beguiling trip.

never serving up anything less than essential and hugely interesting projects, next on the radar for opilec music is this classic italo disco, chicago house and techno leaning package from pioneers klein & m.b.o.

-never say never- ist die erste single-auskopplung und steht exemplarisch für deren entwicklung. das stück - halb song, halb club-tune überzeugt nicht nur diese kombination, sondern das stück funktioniert auch auf beiden ebenen gleichermaßen gut. dabei be

never forget where you come from

dj goethe big classic here, at least realesed on vinyl. a superb 140 bpm acid techno tune with everything needed in a good tune. on the b-side stands a very ptit gris, playable any speed and totally minimal and easy. a superb dj tool bringing a fat kick like never before and thats the point.

the new roots album as vinyl lp in gatefold sleeve.

after his big success with waehlscheibe 003, p. laoss returns on the swiss label with another dub house masterpiece. the german producer has once more switched on his reverb and delay gear and created a wonderful record full of fluffy chords, gentle pads and heavy basses. >rephrasing dub<, >i dont care< and >never though< all display the mans musical mastery in terms of harmony, variety and dramatic expression. in his remix of >i dont care<, federsen from san francisco has taken the crispy deep original and turned it into a broken beat stunner brimming with dubby crackles, noises and delays � all created with his analogue machines. as always all tracks have been mastered by above smoke at the hole of dub studio.

m. geddes gengras ist in der experimentellen los angeles musik-szene seit ca. 7 jahren aktiv und kollaborierte mit sun awar, la vampires, pocahaunted (not not fun) und the congos. er veröffentliche auf labels wie rvng intl und umor rex (thrill jockey sub-label). -ishi- zeigt den produzenten in der erforschung von tiefgehenden ambient und drone arrangements. für fans von tim hecker, oneohtrix point never, emeralds, ekoplekz und sun araw.

es gibt verschiedene wege den titel des neuen trans am albums zu deuten. der offensichtlichste ist natürlich, dass volume x heißt, wie es heißt, weil es nun schon das zehnte album der band ist. es beinhaltet zehn songs, die allesamt zehn verschiedene seiten des trios um phil manley, nathan means und sebastian thomson beleuchten und eindrucksvoll die vielseitigkeit der band unter beweis stellen.

the two original tracks, while very different in moods, both share lush productions and a dramatic musical storytelling while the wonderful remix by ame is taking the song into an epic masterpiece that works wonders on a dancefloor while never losing the bewitching essence of the original

underground acid techno label from barcelona with its 3rd release.

after a great response from ejecas frequency ep previously released on sashas imprint last night on earth in january 2013, the label continues to support his sound by releasing a new 4 track ep called contemplation that will be available on the 28th july consisting of a wide range of electronics from ejecas many musical influences. never one to stick with a particular sound for too long, ejeca has constantly explored numerous styles, reflecting his own eclectic taste in music and shows that he has no strict music policy. just good quality and interesting electronic music, which is exactly what contemplation and last night on earth are all about.

universal cave featuring edits of forward, deep & free music for maximum summertime spins. soft rock for hard times, slow grooves for mellow moods and chainsaw euro funk brought to you by disco duos d. lord & werner williams, jaz & party dad, and universal cave. pressed on limited 7 inch vinyl.
*around the bend* is soft rock for hard times brought to you by universal cave. bongos high in the mix, a breezy beginning builds towards guitar glistening over a mega kind groove. a tune fit for hang gliders, rock climbers, and summer sundays. sunsets and sailboats. slow grooves for mellow moods. side bs *riding* is flipside meets ripside, no nonsense shredding over a driving drum beat. long haired beardo disco rock that never quits.

ever adventurous sound travelling guided by never disappointing shackleton.

we start with the first shigan remix from new up and coming artist charley delholm and let me tell you it is fantastic piece with such depth and understanding, its pads and chords are the making of what good dance music should sound like.

after a brilliant debut, yuuki sakai is back on black sun records with his uncompromising style: dark techno with industrial reminiscences, tribal percussions patterns and mystical atmospheres.

the debut album by synthek & audiolouis can be seen like a precious gathering of different approaches to techno, made in order to create a meaningful and elaborate piece of work. the opening tracks miasma and intro:spection are just a glimpse into the atmospheres which costantly surround the whole album. strong rhythmics and overwhelming soundscapes never abandon the ears, modulating intensity and brightness along the journey through a sea full of dark acid waves. unwise is a bold sequence of powerful tracks devotedly written for the dancefloor, but still keeps a certain emotional aspect made of few melodic detroit-rooted cuts, standing as a tribute to the authors primary inspirations.

hot on the heels of his last outing for the delsin house series comes this, another essential new offering from german producer erdbeerschnitzel.

after the well received ossa jams comes the next installment of the 777 experience! music by various thugs only on vinyl comes with silk-screen printed cover for your listening pleasure. let the music speak...

*broken circuit* is the meeting of minds between max wheeler and victoria port aka anushka. the results are one of the most enjoyable, unpretentious hybrid dance soul records you will hear all year.
the double vinyl lp includes a code for free download of the full album.

before the full installment of jaws collaborative project for circus company midtown, let us whet your appetites with the midtown ep featuring a kaleidoscopic handful of teasers. contributing artists such as canadian renegades art department, berlin dj/producer and bar25 alumni britta arnold, dirtybird kingpin claude vonstroke, hamburg scene staples philip wolgast & benito winberg and berlin based duo the/das, all lend their unique electronic footprints to the already unique and instantly recognisable voice and charisma of jaw.

knee deep in sound s debut release comes from daley himself. don t touch the alarm embodies the vibe dancefloors across the globe yearn for that he never fails to provide, epitomising the sound that has made hot since 82 the hot property he is today. the remix comes from pioneering producers booka shade who work their magic on the track. the first release is a clear example that, in an industry where labels are not hard to come by, daley continues to claim his place at the forefront of electronic music. the label will give us an insight into daley s production process as the knee deep in sound imprint sees daley take full creative control.

wax classic shows no sign of stopping in 2014! we return with a brilliant selection of cuts from the very talented skylax newcomer, groove riddim.

breathtaking contemporary spiritual jazz from south africa ... when tumi mogorosi composed this suite for jazz musicians and opera vocalists he had never heard the previous successful attempts by donald byrd, max roach or mary lou williams to combine these seemingly unfriendly aesthetics. tumi, born in 1987 and already an accomplished drummer on the joburg scene, was at the time studying music at the tshwane university of pretoria where he became close friends with opera singers working on the same campus. so unlike some of his us peers tumis beliefs are not religious.

following robert hoods remixes of his floorplan tracks never grow old and phobia in may, hes back with new edits of protein valve, originally released on m-plant in 1994, the year of the labels inception.

breakbeat paradise recordings is proud to present tom showtime with his brand new 4-track vinyl release, the butter zone ep. as it has done so many times before bbp is bringing ghetto funk and funky breaks back to its roots by putting the funk in focus and letting the rest speak for itself. never before has it been done as well as this with tom showtime getting on board and tailor-making this 4-track ep of banging feel good jams around our genres beloved 105 bpm, aka the butter zone.
tom showtime is no newbie to the field having dropped laid-back funk bombs on lables like groove penguin, booty fruit, riddim fruit, tru-funk as well as an artist ep on the ghetto funk label. this time he really means business as he takes us on a deep dive into his crates of samples and treats us with some flawless ghetto boogie jams. the ep even comes with a scratchapella cut - so djs dont forget to pick up your doubles...